Harry Brompton's Ice Tea - JaduHeart
Now this is some groovy and trippy shit. I have thrown up some love for Feng Suave's song, "Sink into the Floor," and I commented how soulful, vibey and psychedelic that song was but "Harry Brompton's Ice Tea," takes those elements to a high experimental level. What gave "Sink into the Floor" the psychedelic vibe, was its pulsating and consistent bass line. In "Harry Brompton's Ice Tea," the bass line is not just pulsating but takes the focus of the song and makes you feel like your ears are at the end of a kaleidoscope and it's some cool vibes. Especially when the chorus hits, "down to the river that made us," you can just imagine the bass player having the biggest bass-face any bass player has ever had.
If you are unfamiliar with JaduHeart just take a look at their website, http://jaduheart.com, and just from that opening page you will get a fixed perception and pretty clear idea for what they're going for and the music that you'll hear. It's odd, it's spacious, it seems drug-induced, it's trippy, it's weird but the song is not for the sake of standing out, it's genuine and their music backs it up, with "Harry Brompton's Ice Tea" being a clear example.
This single is a stand-alone (it seems) and was posted just 12 days ago on their Soundcloud, and comes roughly a year after their ep, Ezra's Garden, but I was able to find this song through the YouTube channel "Alona Chemerys," who posts some very groovy tunes, which is also where I found Feng Suave.
Although experimental in its inception, the song is so rhythmically fluid, that is has such a calming mellifluous that makes it seem like JaduHeart wanted to capture a musical interpretation of what it is like to be distilled in water or space. It's so calming and intoxicating that you don't want to rise out of the water or hit the ground, and it's not just the kick-ass bass here. The clear and concise beat of the drum give the song a playing field to enact all its rhythmic endeavors, almost like a backer who can save the day with a cross of his sticks. The guitar creates a calming an whammy-bar induced sound that allows for a certain degree of mysticism that sets up that killer bass-line (have I mentioned the bass). However, it is the group serenade that provides that echoey ambience that allows the listener to get lost in all its different layers that seems to wrap itself around the instrumentation, allowing only smooth enough sound to slip through the cracks.
This is one of the best finds I have found this year, up there with Feng Suave, and should definitely be on your radar. Follow these dudes any way you can, these links are a good start:
https://twitter.com/JaduHeart
https://www.facebook.com/jaduheart/
If you are unfamiliar with JaduHeart just take a look at their website, http://jaduheart.com, and just from that opening page you will get a fixed perception and pretty clear idea for what they're going for and the music that you'll hear. It's odd, it's spacious, it seems drug-induced, it's trippy, it's weird but the song is not for the sake of standing out, it's genuine and their music backs it up, with "Harry Brompton's Ice Tea" being a clear example.
This single is a stand-alone (it seems) and was posted just 12 days ago on their Soundcloud, and comes roughly a year after their ep, Ezra's Garden, but I was able to find this song through the YouTube channel "Alona Chemerys," who posts some very groovy tunes, which is also where I found Feng Suave.
Although experimental in its inception, the song is so rhythmically fluid, that is has such a calming mellifluous that makes it seem like JaduHeart wanted to capture a musical interpretation of what it is like to be distilled in water or space. It's so calming and intoxicating that you don't want to rise out of the water or hit the ground, and it's not just the kick-ass bass here. The clear and concise beat of the drum give the song a playing field to enact all its rhythmic endeavors, almost like a backer who can save the day with a cross of his sticks. The guitar creates a calming an whammy-bar induced sound that allows for a certain degree of mysticism that sets up that killer bass-line (have I mentioned the bass). However, it is the group serenade that provides that echoey ambience that allows the listener to get lost in all its different layers that seems to wrap itself around the instrumentation, allowing only smooth enough sound to slip through the cracks.
This is one of the best finds I have found this year, up there with Feng Suave, and should definitely be on your radar. Follow these dudes any way you can, these links are a good start:
https://twitter.com/JaduHeart
https://www.facebook.com/jaduheart/
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